Oh dear. You know when a song is so good, you fear you may just struggle to get past it on the album? Well, that’s precisely the position I find myself in with Lafaye, the second song to be lifted from School of Seven Bells’s third album, Ghostory, which is released on February 27th (The Night appeared online last December). It disproves the common misconception that the best songs on an album are never its singles; this is a song that is strong enough to be praised to the rafters. A gentle synth melody ushers in a thudding beat and a three-chord bassline of the most euphoric kind.

Over all this floats the suitably ethereal voice of Alejandra Deheza, and it matches the nature of the song perfectly, leading the unsuspecting listener into an absolutely gargantuan chorus, the sort I wasn’t sure the band (now a duo after Claudia Deheza left in October 2010) had the ability to pull off. They’ve delivered an absolute humdinger of a lead single, though. I got my copy of the album today, so this won’t be the last you hear of Ghostory. It’s not out for another six weeks though, so that gives me plenty of time. Besides, for now I just want to listen to this song. It’s just extraordinary.

 

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Inspired and the Sheep

San Diego’s Inspired And The Sheep (bandcamp/twitter) distill music that lo-fi on a summer breeze – understandable when a number of their tunes were penned when songwriter Max Greenhalgh was working as a beach lifeguard. The sonic and growling experiments from the now three-piece sound a little as if Eels had a rather sunnier disposition, and makes me pray for the summer.


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FOE - Bad Dream Hotline

As a rule, we rarely, if ever, blog on Sundays, much less Sunday evening – but this definitely warrants a break in the normal routine; I have more than just the remaining two videos in this Bad Dream Hotline-related series of vignettes for our readers today. You also get to listen to the album ahead of its release tomorrow over at NME. Those of you who read my review from two weeks ago will know exactly what I think of it, and I’ve kind of hinted at it elsewhere as well, but for those who think it might lead to a case of ‘tl;dr’ apathy, it can be summed up as follows: FOE’s debut is just plain brilliant, and one listen to the album should help you see (or should that be hear?) exactly what I mean.

Here are the aforementioned videos:

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