What exactly is ‘pop’ music comprised of nowadays? Anything that resonates with the public consciousness, it seems. The charts are dominated by dance music and R&B, but I think there could be room for bands who are ‘pop’ at their core, yet try to mask it with quirks and unusual production. Just ask Django Django. When last I’d heard from them, they were about to release a double A-side single of WOR and Skies Over Cairo. This was early 2010. They hadn’t been on my radar that much since then, but recent single Waveforms indicated the wheels were once again beginning to turn in Django Django-land. All three of the aforementioned songs will feature on their forthcoming, long-awaited, self-titled debut, out January 30th, but the record is being trailed by Default, and it’s arguably the most immediate song the quartet have released so far, featuring an unshakeable hook and breezy guitar line and immediately memorable lyrics like, ‘You thought you’d set the bar, I’d never tried to work it out / We just lit the fire and now you want to put it out’. Their music may portray them as oddballs, but a song as good as this cannot be messed with – they clearly know what they’re doing. FAO fans of Hot Chip: here’s your new favourite band. Everyone else would do well to sit up and pay attention, too, because this lot are going places.
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When FOE’s debut album finally surfaced, it was always going to be something dark and twisted, because that’s the kind of territory in which she operates best. Hannah Clark is coming into her own when it comes to writing gothic pop songs; her album, Bad Dream Hotline, is out January 16th, and is fantastic. The lead single is Cold Hard Rock, an infectious song that finds her in fine form, both vocally and lyrically – ‘Tonight, I’ll try to change the rules of time’ – and one that gives the lie to the common conception that an album’s singles are its weakest songs. It’s tucked away as the penultimate track on Bad Dream Hotline. Her songwriting skills have come on in leaps and bounds since April’s Hot New Trash EP, that much is clear. It might be the powerful drums, menacing synth hook or colossal chorus that does it, but one way or another, this is guaranteed to get stuck in your head. Cold Hard Rock is a brilliant single; more than that, it is a brilliant song. Two words: prepare yourselves.
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The clichéd notion of the difficult second album can often apply to bands, ones who overreach themselves and suffer what the Americans call a ‘sophomore slump’. I never thought First Aid Kit (facebook/twitter) were going to be that kind of band, though, and having just recently listened to their comeback album, The Lion’s Roar (I finished my first listen not ten minutes before writing this), I can say that there is nothing difficult about it at all. It will be released two years, almost to the day, after The Big Black and the Blue, and is the sound of a band (yes, I said band, and not just duo – even though First Aid Kit are comprised of two Swedish sisters, Johanna and Klara Söderberg, they had a full band behind them while recording their second record) taking serious strides in the right direction. More expansive and windswept than the sparse arrangements that were their debut’s watchword, its title track provides the perfect introduction.
The pair’s stunning use of close harmony is out in full force, as ever, as they showcase a new sound that is slightly more country-tinged with a five-minute song that starts in an understated manner and builds to something that can accurately be described as colossal. I detect a hint of Laura Marling in this song (and indeed, the album as a whole), and just as I Speak Because I Can displayed her coming into her own as an artist, The Lion’s Roar is of similar quality. 2012 isn’t even here yet, but it could well be a landmark one for these two – there’s a lot more where this came from.
[Pre-order] First Aid Kit – The Lion’s Roar
First Aid Kit – The Lion’s Roar by Piasnetherlands
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