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The Juliets - Perfect Season
There are very few album covers around nowadays that are adorned with an invitation. The Juliets (facebook/twitter) make sure to set out their stall from the off with ‘stay as long as you like’, because even before the first song on Perfect Season is finished, it’s clear that the listener is faced with an album so enjoyable that they’ll be ‘staying’ for quite a while.

The Michigan band’s new album is their second, and I can’t imagine there are very many people out there who will fail to be charmed by their classical-tinged, orchestral pop sound. Loon and Heart in Heart open proceedings with a dramatic flair that is all their own, chock-full of hooks and insistent melodies but never once becoming too busy or convoluted. Releasing an album full of songs like that, this late in the year, can only be called something of a masterstroke, because they will help to ward off the winter for a while longer, and I’m sure we can all appreciate that.

All twelve songs on Perfect Season are musically accomplished, something brought into contrast by frontman Jeremy Freer’s easy-going lyrical style. All the elements present on the album – soaring and swooping strings, an extremely tight rhythm section, and, every now and then, some tinkling piano (as showcased on Hey Stars and Only You) – gel with each other to great effect.

The classical overtones evident on Perfect Season become more prominent on the second half of the album, with the piano-led instrumental  The Lost Memory sounding it could have been plucked straight from the 19th century, such is the Romantic-era feel that it radiates. It stands out on the album, not because it manages to stick out like a sore thumb, but because it’s an unquestionably beautiful listen, and one of the finest things I’ve heard all year.

Not many bands would dare to place a piece like that right next to a pure pop song the likes of It’s Simple, but the two work extremely well together. I would in fact go as far to say that, on their own, the pair manage to sum up Perfect Season better than I ever could: the album is pleasingly diverse (you wouldn’t think Why Should I? could fit into a record like this, but it reveals itself as one of the record’s highlights over time), and is one of the most enjoyable I’ve heard in quite some time. This band know exactly what they want to be, and are displaying themselves in a manner that is audacious and extremely refreshing.

[BUY]The Juliets – Perfect Season

Loon
Heart In Heart by The 405
A Perfect Season by The 405
(Thanks to The 405 for the streams)

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We Are Augustines

Every so often, a song, or an album, comes along that’s so good it just completely stops you in its tracks. That the best discovery of 2011 for me was The Antlers’ Hospice says a lot about what I appreciate the most in music; I was almost two years late, but the intensity of the music and lyrics left me completely stunned. In a matter of months, it has become my favourite album of all time.

Its harrowing backstory does not need to be rehashed here, but in different ways I see parallels between Hospice and We Are Augustines (facebook/twitter) Rise Ye Sunken Ships, and we’re not talking about superficial ones like both bands being based in Brooklyn. The former is a document of an abusive relationship played out through the analogy of the relationship between a hospice worker and Sylvia, a terminally-ill patient; the latter, a record that details WAA frontman Billy McCarthy’s hard times as he lost both his mother and brother, the two mentally ill, the former a drug addict, to suicide.

Both albums were born out of an intensely emotional experience, and I get the feeling that somehow, Book of James, its title a biblical reference, but also commemorating Billy’s brother, is merely the tip of the iceberg. UK fans (those who haven’t imported the album already, at least) will have to wait until March 5th 2012 to experience Rise Ye Sunken Ships in its entirety, but the indications are extremely promising, because Book of James is an absolute knockout. Sounding like something akin to darker Fanfarlo material, it’s as musically uplifting as emotionally devastating, tackling the tough subjects of mental illness and homelessness and resulting in something that is a uniquely compelling song. We Are Augustines have already been picking up plenty of plaudits in States, and it sounds like they’ll receive further acclaim over here when the album is unveiled.

[IMPORT] We Are Augustines – Rise Ye Sunken Ships

Book Of James by We Are Augustines

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Bastille - Laura Palmer EP

Bastille (facebook/twitter) have proved themselves time and time again as one of my favourite finds of the year, and with the release of their debut EP Laura Palmer imminent – things are only going to get better for Dan Smith’s musical vehicle.

The title track, Laura Palmer, has been up on the Bastille Soundcloud for a good while now but is everything we have come to expect and love from their output – soaring vocals, shimmering synth lines and 80s-influenced electronic beats. Overjoyed is more of a pop-ballad, layering Smith’s reverbed vocals over simple piano and stuttering drums – subtle and beautiful in its own way.

Most exciting on the record though is Get Home, which has Smith’s voice put through the vocoder and owes much of its roots to The Postal Service – a band that helped bring soft, heartfelt electro-pop to the masses. It is delicate and alluring, and everything Bastille stands for.

Bastille – Laura Palmer EP is due for release on 14th November on Believe Digital

[Pre-Order] Bastille – Laura Palmer EP @ AmazonMP3
(Sign up to the Bastille mailing list to grab their debut Icarus)

Laura Palmer by BASTILLE
Bastille – Get Home (Dogtanion remix) by BASTILLE
And for good measure here is Bastille’s wonderful remix of To Kill A King’s Bloody Shirt
“Bloody Shirt” – To Kill A King (BASTILLE remix) by BASTILLE

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