Hot Chip‘s Alexis Taylor had already supplied the vocals to Losing My Patience, my favourite track from last year’s excellent From The Cradle To The Rave by Shit Robot, but here we can here the direction he wanted to take the track.
Hot Chip have taken away a little of the swagger of the original for a slightly darker an more minimal feel to the whole affair leaving the vocals stand front and centre. Still a beautiful but in a wholly different way.
Indie pop always manages to put a smile on my face and the more I listen the more I like. Living in West Yorkshire puts me at a great advantage, as the diverse music scene here always has had a special place for the genre, with bands such as pop champions Blood Oranges leading the way.
The Coopers, my new favourite local band, are a fusion of folk and pop. They too, are making headway, soon to release their new EP in early 2011 which ‘promises to be an authentic reflection of their live performances – full of energy, unexpected arrangements and a healthy does of good ol’ fashioned gumption!’. The band certainly puts on a great live show; engaging and exciting with an interesting assortment of instruments and items, ranging from a polystyrene chipbox to a selection of ceramic bells (which the band abandons their instruments to ring), all for the audiences entertainment. Thematically the band covers all of the main aspects of Indie pop in their lyrics, form love lost to love worth chasing, having fun and keeping things simple.
The band was formed by two Australians, an Englishman and a Greek (no pun intended), and together perform their interpretation of entertaining and alleviating combination of folk and pop. Already a favourite amongst BBC introducing in West Yorkshire the band has also gained fame through the selection of their track ‘Ripples’ for the highly successful E4 hit comedy ‘The Inbetweeners’.
If you want to have a great time at gig, go see The Coopers who are still playing at smaller, more intimate venues and have recently played at the 360 Club at the Library and The Wardrobe, both in Leeds.
Fantastic folk, with a dash of pop for good measure. This is music with all the bells and whistles, literally.
The Chicago via Minnesota violaist Anni Rossi (Facebook/SoundCloud) may be signed to 4AD releasing her second album (on 3 Syllables), but she seems still to be slipping between the cracks of what most people get to hear. Maybe that because its pretty damn hard to pigeon-hole her stripped back sound that sits awkwardly between pop with her unique vocals and use of electronic keys and beats alongside some viola and cello. And then are some fascinating moves between time signatures like on personal favourite Hatchet that wouldn’t feel out of place on a prog rock album. It’s all very confusing but somehow she manages to get it all to blend together into some pop delicacies that maintain their edge and interest.
Heavy Meadow is a departure from her last with its structure built on electronics as much as her classical strong talents and having the luxury of a studio to lay down the tracks. But her voice has lost none of the intimacy and fascination of her debut. This is what pop albums are supposed to be.
[BUY] Anni Rossi – Heavy Meadows on MP3 @ Amazon | iTunes
A physical release penned for May 2nd on 3 Syllables