Archive
March, 2010 Monthly archive

Django Django may have missed out on getting the SXSW love they much deserve after US immigration refused them visas, but that isn’t going to stop me covering them here. I first noticed them when Illegal Tender picked them up in early 2009 and I really should have written about them then but I think their latest single WOR is their best yet and they deserve a proper mention.

They might be based out of Dalston now but they are quite the British/Irish collective hailing in parts from Edinburgh, Fife, Derry and Leeds. But you put all that in a swirling pop melting pot and you can hear influences coming through from Arthur Russell, Devo and the Beta Band. But why should you care? Because they bring it all together and make some clever but always catchy as fuck pop songs. So catchy they named themselves twice.

Django Django – WOR
Django Django – Storm
Django Django – Zummzumm

BUY WOR on 7″ vinyl or as high quality mp3s/flac direct from the band

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We’ve been raving about Peggy Sue (MySpace | Facebook) for the last year here on TBW as they have been wowing people across the country with their live shows and next month they follow this up with the release of their debut album “Fossils And Other Phantoms” on Wichita.

Whilst Mumford & Sons and Fanfarlo have found great success over the past year with their grand multi-instrumental soundscapes and crescendos, Peggy Sue offer a more stripped down and more elemental approach to folk. I can hear the evolution of that disparate folk traditions from Celt to fairground, but Peggy Sue manage to founder something impressively coherent in this album of endings.

Watchmen will be the first single from the album and is a perfect example of Peggy Sue’s charm which stomps through the folk traditions with harmonies, march-esque drumming and twanging guitar. And a vibraslap. Then you’ve got “Matilda” which rolls into something all the more bluesy, with the vocals soaring above the developing layers of rimshots, guitar hooks. But in contrast to these two, it is unease and awkwardness that defines this album.

February Snow best encapsulates the themes of the album, and is filled with the panic of the last throws of a relationship as you desperately search ad scrape for what you once had before it disappears and is washed over with the erosion of time. It’s hectic, lurching and uneasy and yet curiously appealing to those on the outside looking in.

Nevertheless, not all is so awkward, and my favourites “The Shape We Made” and “Lovergone” close the album on a more uplifting note.They are simple, elegant and wrench at your heartstrings, but at the same time soothing to the soul.

Peggy Sue have released a free cassette/compilation for fans to wet your appetite. We’ve got most of the tracks here, but you can download/stream the whole thing on SoundCloud

Peggy Sue – New Song
Peggy Sue – Hadlock Padlock
Peggy Sue – Horror Movie Marathon
Peggy Sue – Pupils Blink
Peggy Sue – Clockwork
Peggy Sue – The Conservationist
Peggy Sue – Hatstand Blues
Peggy Sue – Lazarus

Pre-order Fossils and Other Phantoms @ Rough Trade | Banquet | Amazon
Stream the whole album now @ Clash Music

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I’ve tried to keep my feelings of a political slant off TBW recently no matter how much actions the music industry and Google in the continuing #musicblogocide2k10 or the BBC’s plans to close 6 Music annoy me, but with a free gig being offered for everyone to show their support for 6 Music now might be a good time to start…

6 Music is, in my mind at least, exactly what this so called digital revolution with more space for radio stations was supposed to be for. They have taken the ideas and aims behind the late great John Peel‘s radio show and turned that into an entire station, helping struggling artists and unsigned bands get a leg up towards wider recognition. It has become a fantastic breeding ground for new musical talent, and helps foster and channel those talents so that the wider listening public will get to hear new music.

Radio 1 and Radio 2 cater to a wider listening audience and serve their purposes well, but they don’t foster grass roots talent – that is not their objective and never really as been outside of a few shows such as that of Huw Stephens and a couple of others. I don’t mean to insult Huw at all – he does an excellent job of scoping new talent, but his is just one show whilst 6 Music is a whole station. So where do the bands come from before they get the mainstream media attention, a record deal and onto the playlists of Radio 1 or 2 depending on their audience demographic? That is where 6 Music sits, as the first baby steps of exposure for new bands.

Yes, before 6 Music was launched bands had to find other ways to scramble into mainstream playlists and some found fame, but so much good music was never heard as bands never got that lucky break. And that was it, luck had a good part to do with getting discovered. 6 Music is one of the reasons that the current musical landscape is so exciting, with new coming to mainstream attention more quickly. Yes blogs (possibly like this one…) are another reason, and we’d all like to claim a role in the launch of a few careers, but the BBC has the infrastructure and access to the public consciousness that no other media entity can compare to, and using that power to foster new talent is what I see as one of the primary roles of the BBC. In their Mission Statement, the BBC claim “creativity is our lifeblood” – well this is where that comes from. The BBC = talent (not U2!), and 6 Music is where that talent gets discovered.

As Matthew over at Song, by Toad put so eloquently “Radio One is what is already happening, and Radio Two is what was never happening.  These stations are entirely dominated by the finished article, but who is going to finish that article for them?  In the absence of 6Music there will be the shiny, professional mainstream at one end, and tiny DIY enterprises like this one at the other, and absolutely not a single bloody thing inbetween.”

Mark Thomson (BBC Director General) claims that 6 Music overlaps too much with commercial stations. Really? Can someone, anyone point me to a commercial station that covers such a wide variety of musical styles and tastes? Or one that puts quite so much effort into scoping new talent? Yes Xfm offers some good indie and alternative playlists and some of the artists may not have a mass following yet, but that would conflict more with Zane Lowe’s show on Radio 1 than anything on 6 Music.  If you want commercial overlap look at both radio 1 and Radio 2, I’m quite happy with them and the BBC doesn’t seem to want to change them, but between them the majority of their shows overlap with almost every commercial station in the UK from Absolute Radio to Capital FM. The Beeb has never pussy footed around the commercial sector, and just because Murdoch’s son has started whining because he can’t monetise parts of his media empire does not mean now is a time to start. And even if it was, 6 Music is not what the BBC’s commercial competitors are complaining about.

What can you do about this?

Most importantly listen to 6Music and appreciate what they do
(no-one likes those who fight for a cause because they read about it in the paper and thinks they should… *ahem* Daily Mail readers *ahem*)

Social Media and Online support
Sign the petitions at Petition FM and Go Petition
Join the Save BBC 6Music Facebook Group
Fill in this BBC Strategy Review consultation form and email them to make sure they know your thoughts.

Show your support in person

There is a free gig in support of 6 Music at 93 Feet East on May 4th showcasing some of the fantastic talent 6Music has nurtured over the years including Ian McNabb (Icicle Works), Goldheart Assembly, I Like Trains, RedTrack, We Rock Like Girls Don’t, Shabby Rogue, Isa & The Filthy Tongues, and Alexander Price.
Bands are on from 18.30.

In a band?

Do some busking in front of the BBC Broadcasting House. Record it and upload the video to Youtube and post the video to the Facebook group

(Thank you to Love 6 Music for the pictures from the protest)

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